For no other reason but that I'm enamoured of these new screengrabs — my favorite movies from 1968, 1970, 1971, 1973, 1975, 1976, 1977, 1979, 1980, 1981, 1983, 1985, 1986, 1988, 1989, 1990, 1991, 1992, 1995, 1997, 1999, 2002, 2003, 2004, 2005, 2006, 200, 2009 and 2010. It's funny how much pride one can take in lining up one's favorite movies in a row like this. You'd think I'd made the damned things, instead of just watching them like every other putz.
Ok, from the bottom, some of these I know, some are guesses The French Connection Badlands Jaws The Taking of Pelham One Two Three Apocalypse Now The Shining The Untouchables The next 8 I don't know The Sixth Sense Then the rest are already guessed... The Right Stuff
Well done, Steve, most of those are right although the one you have as The Taking Of Pelham 1,2,3 is actually Taxi Driver, and the one you pegged as The Untouchables is actually Raiders of the Lost Ark. It's from the very last scene — Indy is ruing have lost control of the Ark, now stashed in a government vault. He was never better dressed.
Of COURSE (kicking myself hard in the shins). Also I KNOW I"m going to know the one with the girl having her hair washed - that's is SO familiar but I just can't peg it.
Craig is on the money with Goodfellas and Last of the Mohicans
For the last one, Scott is very close to the mark with Schindler's List: wrong film, right director. It's interesting how often Spielberg uses paperwork in his films — forms, files, bureaucracy, numbers, officialese — to underline the more extraordinary elements...
It's one of the few he's taken on recently not as a "Spielberg film" but just a job of work — his name was not prominent on the posters — which may be why it works so well. It has the collie-like bounce of the work he did when he was in his twenties, which is to saying something. Only Astaire comes close to the unbearable lightness of young Spielberg. Plus you have Hanks and Di Caprio, both of them terrific. Its suprisingly rare to get three-way collaborations that work as well as this one. Call it 'The Philadelphia Story' effect. I always puzzled over that when I was younger. If everyone knew that Cary Grant and Katherine Hepburn and Jimmy Stewart were good together, why not stick them in every picture? It's the same with Catch Me If You Can. Time is going to smile on this one, I think.
“A master-class‑–immersive, detailed, meticulous, privileged inside-dope… Tom Shone is the king of critical cool.” — Craig Raine
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R E V I E W S
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Love the grabs! This is the best I could do....pretty poor performance.
ReplyDelete2009 The Hurt Locker
2008 The Wrestler
2007 Dunno
2006 Brokeback Mountain
2005 Birth
2004 Mystic River
2003 Dunno
2002 Dunno
1999 Titanic
1997 Before Sunset
1995 Dunno
1992 Dunno
1991 Dead Calm
You know all the others, but the screengrabs are cunning....
ReplyDeleteOk, from the bottom, some of these I know, some are guesses
ReplyDeleteThe French Connection
Badlands
Jaws
The Taking of Pelham One Two Three
Apocalypse Now
The Shining
The Untouchables
The next 8 I don't know
The Sixth Sense
Then the rest are already guessed...
The Right Stuff
The Right Stuff should be after the one I think is The Untouchables (on the grand Union Station steps)
ReplyDeleteWell done, Steve, most of those are right although the one you have as The Taking Of Pelham 1,2,3 is actually Taxi Driver, and the one you pegged as The Untouchables is actually Raiders of the Lost Ark. It's from the very last scene — Indy is ruing have lost control of the Ark, now stashed in a government vault. He was never better dressed.
ReplyDeleteOf COURSE (kicking myself hard in the shins). Also I KNOW I"m going to know the one with the girl having her hair washed - that's is SO familiar but I just can't peg it.
ReplyDeleteAdding a few, to the above
ReplyDeleteBefore Sunrise, not Sunset I think...
Either 3 Colours Red or Double Life of Veronique
Blue Velvet
Happy Christmas :)
.....Oh, and United 93!
ReplyDeleteYes to the Double Life of Veronique and Sunrise
ReplyDeleteand Happy Christmas!
God, that really looks like Isabella Rossellini......
ReplyDeleteHmmmmm
Oh and yes to Blue Velvet, I didn't see you'd mentioned that
ReplyDeleteAnd you got United 93, too.....
ReplyDeleteThe only ones to get now are:—
Typed numbers from 2002
Backlit forest from 1992
Pointed gun from 1990
and
Skateboarding from 1985
Skateboarding: Back to the Future
ReplyDeleteBacklit Forest: Cape Fear?
ReplyDeleteTyped Numbers: Schindler's List?
1990: Goodfellas?
ReplyDelete1992: Last of the Mohicans?
Craig is on the money with Goodfellas and Last of the Mohicans
ReplyDeleteFor the last one, Scott is very close to the mark with Schindler's List: wrong film, right director. It's interesting how often Spielberg uses paperwork in his films — forms, files, bureaucracy, numbers, officialese — to underline the more extraordinary elements...
Well, you kind of gave it to us but, Minority Report for 2002 typing.
ReplyDeleteCatch Me If You Can!
ReplyDeleteIt's one of the few he's taken on recently not as a "Spielberg film" but just a job of work — his name was not prominent on the posters — which may be why it works so well. It has the collie-like bounce of the work he did when he was in his twenties, which is to saying something. Only Astaire comes close to the unbearable lightness of young Spielberg. Plus you have Hanks and Di Caprio, both of them terrific. Its suprisingly rare to get three-way collaborations that work as well as this one. Call it 'The Philadelphia Story' effect. I always puzzled over that when I was younger. If everyone knew that Cary Grant and Katherine Hepburn and Jimmy Stewart were good together, why not stick them in every picture? It's the same with Catch Me If You Can. Time is going to smile on this one, I think.
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