THESE VIOLENT DELIGHTS: BEST FILM of 2008: The Hurt Locker

“Shone is admired on both sides of the Atlantic as a writer with a deep love of the movies and one of the sharpest voices in arts journalism” — Tim de Lisle, editor, Intelligent Life

“A terrific writer” — Tina Brown, editor, The Daily Beast

“A witty and observant writer with a rather radical case to make” – Richard Schickel, Los Angeles Times

"The world's finest film critic" — The Toronto Star

“A much freer, more amusing and irreverent style than anyone else now writing" — The Hobart Mercury (Australia)

“The film book of the year.... enthralling... groundbreaking.” — The Daily Telegraph

“Compelling, witty, authoritative and very, very smart… Blockbuster is weirdly humane: it prizes entertainment over boredom, and audiences over critics, and yet it’s a work of great critical intelligence” – Nick Hornby, The Believer

“Beautifully written and very funny... I loved it and didn’t want it to end.” – Helen Fielding

“[An] impressively learned narrative... approachable and enlightening... Shone evinces an intuitive knowledge of what makes audiences respond... One of those rare film books that walks the fine line between populist tub-thumping and sky-is-falling, Sontag-esque screed.” – Kirkus Reviews

“Exhilarating.... wit, style and a good deal of cheeky scorn for the opinions of bien-pensant liberal intellectuals.” – Phillip French, Times Literary Supplement

“Startlingly original... his ability to sum up an actor or director in one well-turned phrase is reminiscent of Pauline Kael’s... the first and last word on the subject. For anyone interested in film, this book is a must read.” – Toby Young, The Spectator

“A history of caring” – Louis Menand, The New Yorker

“Smart, observant… nuanced and original, a conversation between the kid who saw Star Wars a couple dozen times and the adult who's starting to think that a handful might have sufficed.” – Chris Tamarri, The Village Voice

“Passionate, witty, and hugely entertaining... a brilliant, incisive account of the craftsmanship, vision and sheer marketing weight that created these thrill-a-minute, box-office-record-setting hits’ – The Independent

"A sweet and savvy page-turner of a valentine to New York, the strange world of fiction, the pleasures of a tall, full glass and just about everything else that matters" — Gary Shteyngart, author of Super Sad True Love Story and Absurdistan

"A cocktail with bite. I downed it in one" — Helen Fielding, author of Bridget Jones's Diary

"A deft, witty satire which casts its sharp eye over the absurdities of addiction, recovery and contemporary New York" — Marcel Theroux, author of Far North

“Laugh-out-loud funny” — Toby Young, author of How to Lose Friends and Alienate People

"Tom Shone's superb debut is a wise and witty examination of literary celebrity, Anglo-American mystification and the cult of recovery. Shone's prose sparkles: his humor detonates smart-bombs of truth" — Stephen Amidon, author of Human Capital

“A cutting comic debut” — The Sunday Times

“Clever, witty, acerbic, warm” — Geoff Nicholson, author of Footsucker

"A sharp, funny, and ultimately touching debut novel" — Library Journal Reviews

"One of the few novels set in Manhattan that gives you a true feel for the city” — James Wolcott, Vanity Fair

"A splash of cynicism, a dash of self-doubt, and a good measure of humour.... In the Rooms is an entertaining page-turner about humanity, with plenty of hilarity" — The Economist