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Jul 27, 2010

BEST FILM of 1989: Dead Calm (dir. Noyce)

1. Dead Calm A-
2. The Fabulous Baker Boys A-
3. Drugstore Cowboy B+
4. Indiana Jones And The Last Crusade B+
5. sex, lies and videotape B+
6. Trop belle pour toi B
7. Sweetie B
8. The Decalogue B
9. Sea Of Love B
10. My Left Foot B-
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  • Best Films of 1967
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"Shone is simply one of the most eloquent and acute film writers we have" — Teddy Jamieson, The Sunday Herald

"Shone is a clever film columnist who can also write a wise book: two attributes that don't often go together." — Clive James

"Is there anyone now writing about movies better than Tom Shone? I think not” — John Heilemann, New York magazine

B O O K S

B O O K S

BEST MOVIES of 2018

1. You Were Never Really Here A-
2. Ready Player One B+
3. Isle of Dogs B+
4. Thoroughbreds B+
5. A Quiet Place B+
6. Unsane B+
7. Loveless B+
8. Coco B
9. Black Panther B
10. A Wrinkle In Time C-

B O O K S

B O O K S

R E V I E W S


"This level of discernment and tart dissent is an unexpected treat... Shone's prose has a beauty of it's own, abounding in nonchalantly exquisite turns of phrase" — Guy Lodge, The Observer

"Sharp, smart... Shone doesn't just follow critical orthodoxies. He makes his argument beautifully. It's the brain food Allen's rich career deserves." — Ian Freer, Empire

"The book is a must for Woody Allen fans" - Joe Meyers, Connecticut Post

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R E V I E W S


"What makes the book worth taking home, however, is the excellent text... by Tom Shone, a film critic worth reading whatever aspect of the film industry he talks about. (His book Blockbuster is a must).... Most critics are at their best when speaking the language of derision but Shone has the precious gift of being carried away in a sensible manner, and of begin celebratory without setting your teeth on edge." — Clive James, Prospect "The real draw here is Shone’s text, which tells the stories behind the pictures with intelligence and grace. It’s that rarest of creatures: a coffee-table book that’s also a helluva good read." — Jason Bailey, Flavorwire

"There’s a danger of drifting into blandness with this picture packed, coffee-table format. Shone is too vigorous a critic not to put up a fight. He calls Gangs “heartbreaking in the way that only missed masterpieces can be: raging, wounded, incomplete, galvanised by sallies of wild invention”. There’s lots of jazzy, thumbnail writing of this kind... Shone on the “rich, strange and unfathomable” Taxi Driver (1976) cuts to the essence of what Scorsese is capable of." — Tim Robey, The Sunday Telegraph

"A beautiful book on the Taxi Driver director's career by former Sunday Times film critic Tom Shone who relishes Scorsese's "energetic winding riffs that mix cinema history and personal reminiscence".' — Kate Muir, The Times
"No mere coffee table book. Shone expertly guides us through Scorsese’s long career.... Shone shows a fine appreciation of his subject, too. Describing Taxi Driver (1976) as having ‘the stillness of a cobra’ is both pithy and apposite.... Fascinating stuff." — Michael Doherty, RTE Guide"An admiring but clear-eyed view of the great American filmmaker’s career... Shone gives the book the heft of a smart critical biography... his arguments are always strong and his insights are fresh. The oversized book’s beauty is matched by its brains”— Connecticut Post

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“The film book of the year.... enthralling... groundbreaking.” — The Daily Telegraph

“Blockbuster is weirdly humane: it prizes entertainment over boredom, and audiences over critics, and yet it’s a work of great critical intelligence” – Nick Hornby, The Believer

“Beautifully written and very funny... I loved it and didn’t want it to end.” – Helen Fielding

“[An] impressively learned narrative... approachable and enlightening... Shone evinces an intuitive knowledge of what makes audiences respond... One of those rare film books that walks the fine line between populist tub-thumping and sky-is-falling, Sontag-esque screed.” – Kirkus Reviews

“Exhilarating.... wit, style and a good deal of cheeky scorn for the opinions of bien-pensant liberal intellectuals.” – Phillip French, Times Literary Supplement

“Startlingly original... his ability to sum up an actor or director in one well-turned phrase is reminiscent of Pauline Kael’s... the first and last word on the subject. For anyone interested in film, this book is a must read.” – Toby Young, The Spectator

“A history of caring” – Louis Menand, The New Yorker
“Smart, observant… nuanced and original, a conversation between the kid who saw Star Wars a couple dozen times and the adult who's starting to think that a handful might have sufficed.” – Chris Tamarri, The Village Voice
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My Life In Pictures: 1967-2012

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