'Here are some chairs I noticed. An empty chair at the natural optical centre of Degas’s Dance Foyer of the Opera at rue le Peletier (1872), occupied by a fan and a puddle of white cloth. It is waiting – and the viewer is waiting, subliminally – for its occupant to return and claim the fan. It is reserved. Someone has bagged it. Not a circumstance you often see painted, though common enough in real life. Nor is the violinist playing. He is pausing, his bow at rest on his trouser leg. Degas has painted a pause. A thing that hasn’t been painted before.' — from Craig Raine's review of Inventing Impressionism for the New Statesman
Mar 10, 2015
QUOTE OF THE DAY: Raine on Degas
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