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Politics, Pop, Books, Movies
“A master-class‑–immersive, detailed, meticulous, privileged inside-dope… Tom Shone is the king of critical cool.” — Craig Raine
“An up-close and personal look at one of Hollywood’s most successful directors…This erudite book is packed with extensive, expansive discussions about Nolan’s films… insights into what he was trying to accomplish with each film; and the movies, directors, books, art, architecture, and music that influenced him…. Fans of Nolan’s films will find this revealing book invaluable.” — Kirkus, starred review
"A sweet and savvy page-turner of a valentine to New York, the strange world of fiction, the pleasures of a tall, full glass and just about everything else that matters" — Gary Shteyngart, author of Super Sad True Love Story and Absurdistan
"A cocktail with bite. I downed it in one" — Helen Fielding, author of Bridget Jones's Diary
"A deft, witty satire which casts its sharp eye over the absurdities of addiction, recovery and contemporary New York" — Marcel Theroux, author of Far North
“Laugh-out-loud funny” — Toby Young, author of How to Lose Friends and Alienate People
"Tom Shone's superb debut is a wise and witty examination of literary celebrity, Anglo-American mystification and the cult of recovery. Shone's prose sparkles: his humor detonates smart-bombs of truth" — Stephen Amidon, author of Human Capital
“A cutting comic debut” — The Sunday Times
“Clever, witty, acerbic, warm” — Geoff Nicholson, author of Footsucker
"A sharp, funny, and ultimately touching debut novel" — Library Journal Reviews
"One of the few novels set in Manhattan that gives you a true feel for the city” — James Wolcott, Vanity Fair
"A splash of cynicism, a dash of self-doubt, and a good measure of humour.... In the Rooms is an entertaining page-turner about humanity, with plenty of hilarity" — The Economist
At last, a way for me to watch The Matrix without muttering four-letter evaluations at decreasing intervals. Genius.
ReplyDeleteI thought of you when I posted it
ReplyDeleteWhere did you find this? What an odd constellation of movies. You need a musical. Every frame of Hello, Dolly!, superimposed.
ReplyDeleteI'm impressed with how 2001 is the most colorful of them all. How did you do this? Or where did you find them? A store in Williamsburg once sold mixing bowls (or some other domestic object) made from reels of classic films. These remind me of them.
ReplyDeleteClick on the link to find the source.
ReplyDeleteI was puzzled 2001, too. Maybe some of that deep space was less black than we thought?
Just realised: it's the psychedelic trip at the end that's adding some of that color
ReplyDelete