'... that kind of oblique, and always beautiful, psychological thriller which on release is described as 'elegant claptrap' or something similar (the elegance allegedly a misdirection while the claptrap tries to burgle your unconscious) and which then ages disturbingly well, as if there is after all something occult about the way you've been beguiled. Which there is. Vertigo was an elegant claptrap movie in its day — so was The Tenant, even Don't Look Now — films which like Birth concern muffled or inarticulate attempts at communication by the past. It suits these movies to call to us across time — they become, over the years, even more like themselves.' – James Lever, Arete
May 25, 2014
Quote of the Day: James Lever on Birth
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