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INTERVIEW: DONNA TARTT
From my interview with Donna Tartt in The Sunday Times:
'There’s a great
description of a gun by someone who has never held one before in Donna Tartt’s
new novel, The Goldfinch. They find
it eerily defamiliarised, with “a smooth density that blackly distorted the space
around it like a drop of motor oil in a glass of water.” I like it so much, I bring
it up over lunch with the author at Manhattan’s Union
Square Café, a swanky downtown restaurant much frequent by the city’s
publishers and literary types. Around us, waiters in crisp white shirts ferry
plates to waiting diners, illuminated in tastefully-muted light.
“If someone
put a gun on the table between us it would
be very defamiliarised,” says Tartt, with undisguised glee at the thought. “Its
one thing to see it on the screen but if someone really had one here” — her voice rises high with childish
excitement — “ if our waiter pulled
a gun on us it we would see it in an entirely different way. It’s about
that tear in the fabric of reality.” For a second, the though occurs that maybe
our waiter will pull a Beretta from
the champagne box and, with two sharp retorts, leave small red round holes in
our foreheads that leave us slumped on the table. But he doesn’t. Instead he
lays our pasta dishes ceremoniously on the table, and departs without a word.
Such is
lunch with Donna Tartt that one’s primary disappointment is not being shot. It
has been 20 years since The Secret
History, Tartt’s global mega-bestseller
about a group of classics students committing murder in the name of art in
upstate Vermont. Now 49, Tartt still wears her hair in a shiny Louise Brooks bob, and buttons her shirts to the
top crocheted button. Her skin is white and clear, an emerald ring picking out
the green of her eyes, with which alight on you with a beady, birdlike fixity
that would be unsettling were it not for the perky Mississippi twang with which
she engages you in conversation. Mordant, amused, chirpy, the overall effect is
part Edith Sitwell, part Wednesday Addams, or Mrs Danvers’ prettier, perkier
sister.'
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