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1. The Girlfriend Experience
2. Sillicon Valley
3. The Night Of
4. Top Chef
5. Westworld
Politics, Pop, Books, Movies
1. 29 #Strafford APTS— Bon Iver
2. The Numbers — Radiohead
3. Sunday Love — Bats For Lashes
4. Everything I Am Is Yours — Villagers
5. Too Much is Never Enough — Florence + The Machine
6. Born Again Teen — Lucius
7. Tiny Human — Imogen Heap
8. Hey, Stellar — Honeyblood
9. Alive — Sia
10. Doria — Olafur Arnulds
'These early scenes, fraught with peril, are as tight with distrust and paranoia as anything in The Departed,and yet they are also unexpectedly moving. Shot often by guttering candle-light, shrouded in mist and shadow, we examine muddy but hopeful faces faces rendered beautiful by the simple quality of devotion, see hands clasping hands, exchanging crosses — the images as simple and transfixing as those of Albrect Durer. “Christ did not die for the good and beautiful, he died for the miserable and corrupt,” says Rodrigues, an article of Jesuit faith that could also encompass Scorsese’s own rogue’s gallery of sinners over the years... For all of Hollywood’s flimsy bromides to the “triumph of the human spirit,” the genuine article is a much more elusive creature. Yet here it is — stubborn, wily, unbeautiful — running right through this film like piano wire. Scorsese owes the world only one thing: his sincerity. With some of his recent work Scorsese has seemed a great filmmaker in search of the grand obsession that pushed his earlier films into existence. Silence is the first film of his in a long time that feels born of that pressure — like it needs to exist. The result feels like something close to a state of grace.'— From my review for Newsweek
1. Ralph Fiennes, A Bigger Splash
2. Ruth Negga, Loving
3. Casey Affleck, Manchester By The Sea
4. Emma Stone, La La Land
5. Greta Gerwig, 20th Century Women
6. Michelle Williams, Manchester By Sea
7. Ryan Gosling, La La Land
8. Rebecca Hall, Christine
9. Jeff Bridges, Hell or High Water
10. Tom Hanks, Sully
“A master-class‑–immersive, detailed, meticulous, privileged inside-dope… Tom Shone is the king of critical cool.” — Craig Raine
“An up-close and personal look at one of Hollywood’s most successful directors…This erudite book is packed with extensive, expansive discussions about Nolan’s films… insights into what he was trying to accomplish with each film; and the movies, directors, books, art, architecture, and music that influenced him…. Fans of Nolan’s films will find this revealing book invaluable.” — Kirkus, starred review
"A sweet and savvy page-turner of a valentine to New York, the strange world of fiction, the pleasures of a tall, full glass and just about everything else that matters" — Gary Shteyngart, author of Super Sad True Love Story and Absurdistan
"A cocktail with bite. I downed it in one" — Helen Fielding, author of Bridget Jones's Diary
"A deft, witty satire which casts its sharp eye over the absurdities of addiction, recovery and contemporary New York" — Marcel Theroux, author of Far North
“Laugh-out-loud funny” — Toby Young, author of How to Lose Friends and Alienate People
"Tom Shone's superb debut is a wise and witty examination of literary celebrity, Anglo-American mystification and the cult of recovery. Shone's prose sparkles: his humor detonates smart-bombs of truth" — Stephen Amidon, author of Human Capital
“A cutting comic debut” — The Sunday Times
“Clever, witty, acerbic, warm” — Geoff Nicholson, author of Footsucker
"A sharp, funny, and ultimately touching debut novel" — Library Journal Reviews
"One of the few novels set in Manhattan that gives you a true feel for the city” — James Wolcott, Vanity Fair
"A splash of cynicism, a dash of self-doubt, and a good measure of humour.... In the Rooms is an entertaining page-turner about humanity, with plenty of hilarity" — The Economist